Hiroshi Sugimoto / Sugimoto
Los Angeles, Museum of Contemporary Art, 1993, 31,5x24 cm., brossura / paperback, softcover, pp. [70], artist’s book illustrated with a selection of images from the series of the “Seascapes”, organized from the lighter to the darker. With an essay in English by Kerry Brougher (Hiroshi Sugimoto: Memories in Black and White). Published in occasion of the exhibition (Los Angeles, MOCA, December 19, 1993 through February 6, 1994).
Los Angeles, Museum of Contemporary Art, 1993, 31,5x24 cm., brossura / paperback, softcover, pp. [70], artist’s book illustrated with a selection of images from the series of the “Seascapes”, organized from the lighter to the darker. With an essay in English by Kerry Brougher (Hiroshi Sugimoto: Memories in Black and White). Published in occasion of the exhibition (Los Angeles, MOCA, December 19, 1993 through February 6, 1994).
Los Angeles, Museum of Contemporary Art, 1993, 31,5x24 cm., brossura / paperback, softcover, pp. [70], artist’s book illustrated with a selection of images from the series of the “Seascapes”, organized from the lighter to the darker. With an essay in English by Kerry Brougher (Hiroshi Sugimoto: Memories in Black and White). Published in occasion of the exhibition (Los Angeles, MOCA, December 19, 1993 through February 6, 1994).
“In 1980, Hiroshi Sugimoto photographed the first of his series of seascapes. Taken from a bluff in Jamaica, the resulting black-and-white image of the Caribbean Sea is one of lucid simplicity: the frame cropping out everything but the sky and sea. The central horizon line divides the pho- tograph into top and bottom, light and dark, void and substance. The Japanese-born Sugimoto, who has lived primarily in New York since 1974, has continued this series up to the present, pho- tographing seas around the world in this simple framework. Variation occurs only in the weather and time of day.” extract from the essay by Kerry Brougher
