Felix Gonzalez-Torres, Roni Horn / Felix Gonzalez-Torres Roni Horn
GONZALEZ-TORRES Félix (Guáimaro 1957 - Miami 1996), HORN Roni (New York 1955), München, Sammlung Goetz, 1995, 24x17 cm., paperback [softcover], pp. 88, typographic cover, illustrated catalog with tens of colored and black and white images through the pages. Essays in German and English by Nancy Spector (Felix Gonzalez-Torres and Roni Horn: Anatomies of Place), Christiane Mever-Stoll (Felix Gonzalez-Torres - Revolution of Silence), Nancy Princenthal (Roni Horn: Judging by Appearances); an interview between Robert Storr and FGT (Interview with Felix Gonzalez-Torres 13. December 1994) and a series of short poems by Roni Horn (Where the Earth Is Hot, Floating in the Desert, Little Showers, Sometimes Dead, Indoor Water, A Newark Here, Wallace Stevens's Ice, Handful of White Rocks). With a biographical note of the authors. Published in conjunction of the exhibition (München, Sammlung Goetz, from May 13 to October 28, 1995). Edition of 1000 unnumbered copies.
Bibliography: The Felix Gonzalez-Torres Foundation
GONZALEZ-TORRES Félix (Guáimaro 1957 - Miami 1996), HORN Roni (New York 1955), München, Sammlung Goetz, 1995, 24x17 cm., paperback [softcover], pp. 88, typographic cover, illustrated catalog with tens of colored and black and white images through the pages. Essays in German and English by Nancy Spector (Felix Gonzalez-Torres and Roni Horn: Anatomies of Place), Christiane Mever-Stoll (Felix Gonzalez-Torres - Revolution of Silence), Nancy Princenthal (Roni Horn: Judging by Appearances); an interview between Robert Storr and FGT (Interview with Felix Gonzalez-Torres 13. December 1994) and a series of short poems by Roni Horn (Where the Earth Is Hot, Floating in the Desert, Little Showers, Sometimes Dead, Indoor Water, A Newark Here, Wallace Stevens's Ice, Handful of White Rocks). With a biographical note of the authors. Published in conjunction of the exhibition (München, Sammlung Goetz, from May 13 to October 28, 1995). Edition of 1000 unnumbered copies.
Bibliography: The Felix Gonzalez-Torres Foundation
GONZALEZ-TORRES Félix (Guáimaro 1957 - Miami 1996), HORN Roni (New York 1955), München, Sammlung Goetz, 1995, 24x17 cm., paperback [softcover], pp. 88, typographic cover, illustrated catalog with tens of colored and black and white images through the pages. Essays in German and English by Nancy Spector (Felix Gonzalez-Torres and Roni Horn: Anatomies of Place), Christiane Mever-Stoll (Felix Gonzalez-Torres - Revolution of Silence), Nancy Princenthal (Roni Horn: Judging by Appearances); an interview between Robert Storr and FGT (Interview with Felix Gonzalez-Torres 13. December 1994) and a series of short poems by Roni Horn (Where the Earth Is Hot, Floating in the Desert, Little Showers, Sometimes Dead, Indoor Water, A Newark Here, Wallace Stevens's Ice, Handful of White Rocks). With a biographical note of the authors. Published in conjunction of the exhibition (München, Sammlung Goetz, from May 13 to October 28, 1995). Edition of 1000 unnumbered copies.
Bibliography: The Felix Gonzalez-Torres Foundation
"The aesthetic dialogue between Felix Gonzalez-Torres and Roni Horn is embodied in an exchange of gold, a reciprocal gift between the two artists that resonates with the poetry of their respective projects. In 1990, Gonzalez-Torres visited Horn's solo exhibition at the Museum of Contemporary Art in Los Angeles, where he first encountered her sculpture "Forms from the Gold Field." 1980-82 (p. 9), fashioned from two pounds of the purest gold compressed into a luminous rectangular mat measuring four by five feet.' Horizontal in orientation, this slender sheet of gold had been folded over itself to create an interior core that seemed to radiate its own light. Set directly on the floor, this softly glowing envelope was the onlv object in the room. While it threatened to dissolve into dazzling immateriality at any moment - into the sense of pure surface that its delicacy invoked - "Forms from the Gold Field" nonetheless held the entire space, mesmerizing anyone who entered the room." extract from Nancy Spector text.
